A poignant and compassionate work of literary journalism that tackles Australia’s most controversial pastime.
Almost 200,000 poker machines sing and flash in pubs, clubs, and casinos in every corner of the country. They’re highly complex devices, their components designed by mathematicians, musicians, animators, and ergonomic experts. They’re also widely considered the most harmful form of gambling, the cause of the majority of gambling addictions. So how did Australia evolve into a pokie nation?
With startlingly candid interviews from gambling addicts, politicians, manufacturers, neuroscientists, counsellors, anti-gambling campaigners, and gambling advocates, One Last Spin explores how the machines work to hook people in, and the vicious fight being waged to evict them from the country’s social life. It is a confronting tale about the human cost of addiction, of governments pandering to corporate interests, and of the insidious power of the industry’s PR spin.
‘A masterfully researched and skilfully written account of a virus that has flourished unchecked for decades. At once a page-turner, sociological study, and damning indictment, Drew Rooke has provided us with further proof — if ever it were needed — of the calamity that is the poker machine industry.’
David Leser, journalist and author of To Begin to Know: walking in the shadows of my father
‘Early in Drew Rooke’s One Last Spin, a gambling counsellor tells him, “Australia has pokies the way America has guns.” This book is an affirmation of that claim: the social harm poker machines create; the political leverage of the gambling lobby; the fallacy that pokies are somehow a force for communal good and intrinsic to some archetypal idea of Australianness. Through interviews with addicts, academics, opponents, clubs management, and industry peddlers, Rooke shows how pervasive and poisonous the situation has become — and how, learning from past defeats, the campaign to halt the march of the “VIP Lounge” is gaining momentum. This is a brave and compassionate work of advocacy journalism by a fresh new voice in Australian nonfiction.’
Sam Vincent, journalist and author of Blood and Guts: dispatches from the whale wars